Zeitgeist Films, in association with Kino Lorber, have swooped for all North American rights to Sundance award winner “Acasa, My Home.”
The film, which in January picked up the Special Jury Award for cinematography in the World Cinema Documentary category at Sundance, has been selected for more than 60 festivals around the world, and is a recent documentary contender in the European Film Awards.
The film tells the story of a Romanian family with nine children that lived fully off-grid in the wilderness of the Bucharest Delta, in harmony with nature. However, when the land becomes a public park, they are evicted and forced to adapt to the big city, where they must fight for acceptance.
“Acasa, My Home” is directed by Radu Ciorniciuc and produced by Monica Lăzurean-Gorgan for Manifest Film in collaboration with HBO Europe, Corso Film and Kino Company.
The film — which has been sold internationally by Autlook Filmsales...
The film, which in January picked up the Special Jury Award for cinematography in the World Cinema Documentary category at Sundance, has been selected for more than 60 festivals around the world, and is a recent documentary contender in the European Film Awards.
The film tells the story of a Romanian family with nine children that lived fully off-grid in the wilderness of the Bucharest Delta, in harmony with nature. However, when the land becomes a public park, they are evicted and forced to adapt to the big city, where they must fight for acceptance.
“Acasa, My Home” is directed by Radu Ciorniciuc and produced by Monica Lăzurean-Gorgan for Manifest Film in collaboration with HBO Europe, Corso Film and Kino Company.
The film — which has been sold internationally by Autlook Filmsales...
- 10/23/2020
- by Manori Ravindran
- Variety Film + TV
Perverse, erotic, debasing, and powerful, fashion photographer Helmut Newton’s photographs throughout the 20th century displayed a worship of women similar to a domineering male director and his female star. Fittingly, Newton is most famous in cinephile circles for a 1988 photograph he took in Los Angeles of David Lynch and his muse Isabella Rossellini, at the height of their “Blue Velvet” fame. In the black-and-white photo, the filmmaker fondles Rossellini’s face, looking into her soul not as a human being, but as a vessel for an idea. He’s a puppeteer, and she his puppet.
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
- 7/23/2020
- by Ryan Lattanzio
- Indiewire
When you look at the photographs of Helmut Newton, with their spectacularly cold and severe Amazon-women-on-the-moon erotic shock value, and you try to imagine the man behind the camera (it’s sort of hard not to), you tend to picture him as a figure every bit as kinky and forbidding as the outrageous things he’s photographing. There’s a famous shot of Newton: the clowning-around photograph of him wearing high heels (pictured above), which only enhanced his image as a Eurotrash decadent who turned his fantasies into flesh.
But in “Helmut Newton: The Bad and the Beautiful,” , Newton emerges as friendlier and more “normal” than you’d expect — though he does have a mischievous twinkle that suggests a lot.
The documentary was shot when Newton was in his early 80s, and he’s disarmingly ageless, with floppy thick hair and circular glasses setting off a face that grins...
But in “Helmut Newton: The Bad and the Beautiful,” , Newton emerges as friendlier and more “normal” than you’d expect — though he does have a mischievous twinkle that suggests a lot.
The documentary was shot when Newton was in his early 80s, and he’s disarmingly ageless, with floppy thick hair and circular glasses setting off a face that grins...
- 7/22/2020
- by Owen Gleiberman
- Variety Film + TV
"I love women. There is nothing I love more." Kino Lorber has released an official trailer for a photography documentary titled Helmut Newton: The Bad and the Beautiful, profiling the controversial and iconic German photographer and his work over so many years. This first premiered at the (virtual) Tribeca Film Festival earlier in the year. This "wildly entertaining new documentary on the legendary, controversial and influential photographer" is being released this summer to celebrate his 100th birthday. The film includes candid interviews with many of his subjects: Grace Jones, Charlotte Rampling, Isabella Rossellini, Marianne Faithfull and Hanna Schygulla; fashion icons Anna Wintour, Claudia Schiffer, Nadja Auermann; as well as his wife and creative partner June Newton (known as Alice Springs from her photography). Susan Sontag, in a pointed exchange with Newtown, broadcast on French television, raises the question of the photographer's alleged misogyny. Looks like a very provocative film about an acclaimed,...
- 7/15/2020
- by Alex Billington
- firstshowing.net
As cinemas begin to reopen again in many territories, Screen is tracking which films are released across the globe each week.
As cinemas begin to reopen again in many territories, Screen is tracking which films are being released in key territories each week.
France, opening Wednesday July 8
The French box office, which runs Wednesday to Wednesday, entered its third full week of activity on July 8, following the reopening of cinemas on June 22 after their 14-week Covid-19 hiatus. Programming for the first 10 days of reopening consisted mainly of re-released films, the theatrical careers of which were put on hold mid-March due to the lockdown,...
As cinemas begin to reopen again in many territories, Screen is tracking which films are being released in key territories each week.
France, opening Wednesday July 8
The French box office, which runs Wednesday to Wednesday, entered its third full week of activity on July 8, following the reopening of cinemas on June 22 after their 14-week Covid-19 hiatus. Programming for the first 10 days of reopening consisted mainly of re-released films, the theatrical careers of which were put on hold mid-March due to the lockdown,...
- 7/10/2020
- by 1100388¦Melanie Goodfellow¦69¦¬1100142¦Wendy Mitchell¦39¦¬158¦Martin Blaney¦40¦¬134¦Jean Noh¦516¦¬1101324¦Elisabet Cabeza¦37¦¬1101321¦Ben Dalton¦26¦
- ScreenDaily
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